Ever since I saw The Little Mermaid as a four-year-old girl, animation has been my passion. There was a kind of magic in the Disney Renaissance films — The Little Mermaid, Aladdin, Beauty and the Beast, and The Lion King — that completely captivated me. The ability to make people laugh, cry, and connect through storytelling felt unlike any other art form.

Through years of hard work, determination, and a deep love for the craft, I’ve continued chasing that same feeling of wonder that inspired me as a child. Along the way, I’ve had the incredible privilege of working at Pixar, Disney, and DreamWorks on films such as Tangled, Wish, Spider-Verse II, Croods, and The Sea Beast, as well as recently finishing work on the upcoming Ice Age film. I’ve also had the honor of learning from and working alongside legendary animators Glen Keane and James Baxter — experiences that have deeply shaped me both as an artist and storyteller.

I’m especially known for subtle performance animation, appealing motion, and polished work. I can be a bit obsessive when it comes to polish — whether it’s a massive emotional sequence or the smallest connecter shot, I always push to make every shot feel as strong and intentional as possible. I believe the little details are what truly bring characters to life, and I take great pride in delivering work that my best possible quality and a joy to watch.

For me, animation is more than a career; it’s a lifelong passion and creative journey that I will continue pursuing for decades to come. Whether bringing characters to life through subtle emotion, action, comedy, or heart, my goal has always been the same: to create the same kind of magic that once inspired me as a child.